If you thought your commute home during the bomb cyclone was tough, wait until you hear about Liam Neeson's trip home in his new movie, "The Commuter." Director Jaume Collet-Serra joins Cheddar to discuss his fourth collaboration with Neeson in seven years. Find out why Collet-Serra calls the film a spiritual sequel to 2014's "Non-Stop." The director reveals what he's learned about Neeson during their four shared projects. He explains how he got the tall actor to fit on a set built to resemble a New York commuter train. He tells us why he's so drawn to action movies set on modes of transportation. Finally, we ask Collet-Serra about Hollywood's hottest headline: Oprah for president. The Spanish-born filmmaker says his international perspective makes him no expert on American politics. However, he also points out that Winfrey wouldn't be the first Commander-in-Chief to come from the world of entertainment.

Share:
More In Culture
Family Autopsy: George Floyd Asphyxiated by Sustained Pressure
An autopsy commissioned for George Floyd’s family found that Floyd died of asphyxiation due to neck and back compression when a Minneapolis police officer kneeled on his neck for several minutes and ignored his cries of distress, the Floyd family’s attorneys said Monday.
U.S. Heads Into a New Week Shaken by Violence and Pandemic
With cities wounded by days of violent unrest, America headed into a new week with neighborhoods in shambles, urban streets on lockdown and shaken confidence about when leaders would find the answers to control the mayhem amid unrelenting raw emotion over police killings of black people.
The Rise And Fall Of Autotune
Autotune was a staple in pop hits throughout the 2000s. T-Pain, Nelly, Daft Punk, and almost every major pop artist embraced the technology. But most of these famous tunes were actually using Autotune incorrectly. So who started this trend and how did something so despised become so popular?
Load More